Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Boris Mikhailov, The theater of war, second act, time out, 2014. Photo © Manifesta 10.
Photographs at General Staff building
Late in December 2013, during a wave of demonstrations and civil unrest in Ukraine, people came to Maidan Nezalezhnosti, the central square in Kiev, and pitched their tents. Ukranian artist Boris Mikhailov made a series of photographs recording life in the protestors’ camps as well as a series of large-format photo collages with panoramic views of the square that recalled the canvases made by Russian realist painters in the late nineteenth century.