Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Stephan Dillemuth, El árduo camino hacia el conocimiento, 2010. Photo © Manifesta 8 / Ilya Rabinovich.
For this project German artist Stephan Dillemuth created a cage made from plaster, with the help of students from the art academy in Murcia. A video projected inside the cage showed a conversation between an artist and a prisoner about research, knowledge and the responsibility of artists. The work was a reflection on the refuge of the hermit in his deliberate withdrawal from the world. It also examined the idea of freedom as access to knowledge.