Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography.
Photo © Ilya Rabinovich.
As a member of a generation who, as children, lived through the war in Bosnia in the 1990s, Adela Juši investigates ways to deal with this post-war trauma. Recently Juši has been exploring the rules and laws, limits and freedoms, purposes and needs, of the generic "artist's statement". Her work for Manifesta 8 explores this formula-based, instrumentalised practice. In a two-channel video installation, the artist is filmed as she raises questions about her persona and these issues, including her instructions for how to write an artist's statement.